![]() ![]() Through their influence, Hitomi begins to climb out of her shell. That soon changes when she meets Yuito Aoi and the photography club. From the first few episodes, it’s shown that Hitomi is not a sociable person and finds it difficult to open herself to others. I came to realize that the directors wanted to help the characters grow especially with important relationships. But that’s not really a negative of the show. The pacing in the beginning is slow and doesn’t jump over itself to sell its core concepts. I’ll say right off the bat that the show will test a bit of the audience’s patience. At the center of it is Hitomi Tsukishiro. To be honest, this show became a modern fantasy about self-discovery even with the time travel gimmick. The plot involves her grandmother Kohaku who decides to send her 60 years into the past so they can reconnect. It’s because she lost her sense with colors and also became distant with people. What we know about her early on is that she has a disdain towards magic. We meet main female protagonist Hitomi Tsukishiro who happens to be a 17 year old descendant from a family of witches. From the beginning, we are introduced to the city of Nagasaki where magic is also part of normal life. ![]() However, I would say not to judge too fast as the premise itself possesses great potential for a storyteller. this seemed like a hit or miss in the beginning that looked like an average modern teen soap opera. To my delight, Iroduku turned out to be yet another show that made me realize how an original anime should be done. From school life dramas to a dark thriller about vampires, this studio continues to establish themselves with their creativity. Works has always captivated me with their wealth of ideas. Works, I had high expectations for Iroduku considering their recent lineup. But in that adventure, there’s magic, creativity, and feelings that’s hard to be put into words alone. Watching Irozuku Sekai no Ashita kara (Iroduku) is like a taking a journey into a storybook adventure.
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